Choosing Audition Songs

In working with people via skype and here in LA, the biggest issue for auditioning seems to be choosing the right songs. Understandably so, I might add. There are many factors to consider and I do advise spending as much time as it takes to find the most perfect songs for you and your voice.

1) Genre. If you are a country singer, do a country song. It sounds so moronically simple, but it seems as if it this obvious note evades a lot of us. Also, there is country, and there is country. Make sure, if you’re a Miranda Lambert style of country artist that you don’t do a Shania Twain rock pop crossover song. Be specific about “WHO” you are. There is a difference between Sheryl Crow’s country-ish songs to The Dixie Chicks. Also, what they imply stylistically is important too. In the same way, if you’re a Rock singer, there are many different types of Rock, Hard Rock, Glam Rock, MOR Rock (Middle of the Road) etc. So again, be what you are 100%.

2) Key. If the song works for you throughout the song except for that low note that occurs in the verse. Change the key. Don’t skimp on this. If you go in thinking, “well, it’s just one note and most of the time, I can hit it”, change it. Make sure the song is in a range that is accessible for you 100% of the time so you can be free to just perform. Ways you can make sure to sing the song in the key you’re singing in are; listen to a shard of the song in your headphones as you’re walking up to sing or take a pitch pipe.

3) Find the best part of the song. Perhaps, for whatever reason, you sing the 2nd verse better than 1st. Start with the 2nd verse. Perhaps the chorus immediately gets you in a zone where you can emote. Start with the chorus. There are no rules (unless given) when they only allow you to sing 30 seconds of a song. Find the best parts of the song and fuse them together. However, know the rest of the song in case they want you to keep going, at which point just start from wherever you are and sing the rest of the song, or adlib over the chorus.

4) Have other songs ready that you are slightly different, but still in the same genre. If you’re singing an Adele song, have other soulful diva songs ready to go. If you’re doing a Green Day song, again, stay in the genre.

5) Be creative, because you’ll probably be singing a cappella, choose a song sung by girl if you’re a guy or vice-versa and make it work in your range, change the key. Or take a song outside your genre and make it your genre, but if you try this, make sure it works! This is much harder to do a cappella than with music.

6) Choose songs you can connect to. I Dreamed A Dream from Les Miserables does not suit a 16 year old girl. It suits an older woman who is reflecting on her life, whereas, Castle On A Cloud from Les Miserable doesn’t suit an older woman. Make sure the subject matter is age appropriate and that you can connect with it. Find a personal experience to draw from that you can loose yourself in. If you are able to “perform” for the auditioners then you will have a better chance of getting attention.

Selecting songs should take a good deal of time but the good news is, once you have a handful of songs, you can keep adding to them and then this task becomes easier. Some songs work for you with a track (or accompaniment) but some songs don’t come across as well a cappella. The melody has to sing well when it’s all you have to carry your voice. If you are not sure how you sound than find a way to record yourself and play it back. Often it feels different from how it sounds and this should be a consideration.

Good luck!

Write Girl – LA Today

I had a great day today volunteering downtown at The Grammy Museum with WriteGirl. WriteGirl is an activity of Community Partners, a nonprofit charity organization that is dedicated to empowering at-risk teen girls through mentor-ship and self-expression. Founded by the amazing Keren Taylor, WriteGirl held their 11th Annual Songwriting Workshop today from about 10:30 to 5pm. I teach on Saturdays so I was unable to get there until about 2pm and was immediately thrust into some group work with some of the girls. They had different groups set up talking about things like; rhyming schemes, song structure, rhythm and other song writing particulars. The group I joined was talking about “metaphors” (a word which can’t hear without hearing my friend and writing guru, Claudette Sutherland saying “Metaphors be with you!”) and ways they can enhance writing. To hear some of the girls, (13 – 18) talk about current songs and their thoughts on what certain songs were trying to say through metaphor was truly inspiring; one 13year old girl commented on Adele’s, “Set Fire To The Rain” saying, “Well, rain symbolizes all that is sad and you wanna burn everything that is making you sad, but you can’t burn rain!”. Brilliant! I was mentoring with two fellow songwriters Danielle Brisebois and Kyler England who were both lovely and extremely knowledgeable. Then, we all worked one-on-one with girls in the auditorium and helped them get their writing to a point where they could be used in a song. The finale, (which nobody prepared me for, and it’s a good thing too as I’d have run screaming) the mentors (us!) had to take random sheets of paper with pieces of songs on them, and on the fly, sing them on stage for the girls to hear, showing them how it all comes together. The final result! OMG! I didn’t have enough time to process it, but let me just say, I was terrified. Well, I’m so glad, like I said, that I didn’t know, because it was one of the most inspiring, radical and rewarding thing I’ve ever done. These girls were so enthralled to hear their journal musings come to life. Their defensive and/or shy dispositions turned into unabashed joy and inspiration. At the same time, we, the mentors were blown away by some of the writings these young girls created and the thrill of watching each other create on the fly. It was a truly brilliant, raw and encouraging experience. At the end of the day, we songwriters are moved to write songs because we want to express something. It really is, all it’s about. Thank you Keren, Michelle and Naomi for the invite. I will be looking forward to the next one! I’m sure there will be some footage and photos to come, which I will add.

Here’s Keren Taylor, the executive director, with Sarah Silverman, Keren is tireless in her efforts and pulls such a vast array of writing talent to mentor the girls! For more information on writegirl, to purchase writegirl collections or just to donate, you can read more here; WriteGirl